A sad passing: Keith Emerson (1944-2016)

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KeithKeith Emerson, Carl Palmer and Greg Lake formed rock super group “Emerson, Lake & Palmer” in London in 1970. The band released seven albums in the next decade, all of which went gold in the US.

(pay particular attention to the fascinating echo and delay effects of this band, all designed by Keith Emerson)

Keith Emerson was the compleat musician. It was not his avocation or occupation, it was his burning passion that encompassed and ultimately eclipsed his life in totality. Keith is said to have suffered from depression after a degenerative nerve disorder in his hands that hampered his keyboard playing capability.

Passion is not a logical decision. Passion dictates behavior without rationality or logic, making it all up as it goes along. Anything interfering can be ominous. I knew a guitarist that ripped off the bandages the day after a carpel tunnel operation so he could continue to play. Debilitating illness, frequently in combination with desultory forms of depression can be a life-threatening blow to such passionate artists.

History reveals other musicians that committed suicide for similar interferences with their life’s lusts, including substance dependency and various stripes of depression. One would think that the fruits of artistic brilliance in and of itself would be an adequate stimulus for personal happiness and fulfillment, but history infers that the more brilliant an artist is, the more tendency for their self-ruination.

* Nick Drake- A fragile genius, dead in 1968 from an overdose of amitriptyline, a treatment for lifelong depression. Autopsy did not reveal whether the overdose was intentional or accidental.

* Pete Ham- Badfinger singer-guitarist, suicide in 1975. Depression after losing all to a crooked manager. Pete wrote “Baby Blue”, the brilliant anthem that played out the last scene in “Breaking Bad”.

* Keith Moon- Legendary drummer for The Who, an entirely justified reputation as the wild man of rock, dead in 1978 from aspiration following a probable inadvertent overdose of Clomethiazole, a drug prescribed to help wean him off alcohol.

* John Bonham- Of Led Zeppelin, considered my Rolling Stone to be the greatest drummer in rock history. Extensive history of alcoholism died of respiratory failure following aspiration after drinking 40 consecutive shots of vodka in 1980.

* Richard Manuel- “The Band”, considered one of the great piano players in rock. Suicide in 1986. Deteriorating technical abilities from chronic drug dependency and alcoholism.

* Danny Gatton. The ‘Master of the Telecaster’. Considered one of the top ten rock guitarist of all time. Suicide in 1994 resulting from untreatable lifelong depression and deteriorating technical abilities.

* Kurt Cobain- Of Nirvana, ‘’the flagship band’’ of Generation X. An artist that changed an entire culture. A lifelong history of depression culminating in suicide in 1994.

* Brad Delp- Lead singer for Boston. Delp was considered among the greatest rock vocalist of all time. Suicide in 2007 after multiple stressful life situations.

Rest in peace, sad brother.

 

“Come inside, the show’s about to start

Guaranteed to blow your head apart

Rest assured you’ll get your money’s worth

The greatest show in Heaven, Hell or Earth.

You’ve got to see the show, it’s a dynamo.

You’ve got to see the show, it’s rock and roll ….”

 

Emerson Lake & Palmer, “Karn Evil 9” From “Brain Salad Surgery”, (1973)

 

 

Never thought I’d live to be a hundred

Never thought I’d get to do

The things that all those other sons do

 

Never thought I’d ever have my freedom

An age ago my maker was refusing me

The pleasure of the view

 

Moody Blues: “To our Children’s, Children’s Children” (1975)

 

 

Primaries on 3/5, Trump and Cruz

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“David has set a litmus test that a Democrat​

would have to pass to get the nomination and

that no Republican could pass and get the

Republican nomination and so thus he will

pinch his nose and vote for Hillary or any other

Democrat, no matter how low of character or dishonesty or

untrustworthy over any Republican no matter

how high of character and honesty and trustworthy”.

 

I don’t believe I ever said that.

What I did say is that The current slate of Republican candidates are committed to destroying all and any of the progress we’ve made over the last years from the global crash of 2008, including some new disasters they loudly proclaim, including, but not limited to:

  1. Getting an “A” rating from the NRA
  1. Obliterating the very beneficial “Planned Parenthood” and denying women control over their own bodies, forcing them to whelp unwanted babies then complaining if and when they end up on Welfare.
  1. Obliterating meaningful health insurance for 12 million citizens, offering them a “savings plan” that might pay for 1% of a serious illness, or unaffordable private insurance.
  1. Tearing up a hard-fought and hard-won agreement that limits Iran’s ability to develop nuclear capability. Putting them right back on track to do anything they want as fast as they want to.
  1. Ridiculous plans to stop illegals crossing a completely porous border. Spending billions in a futile effort to seek out and deport illegal aliens, divers Islamics.
  1. “Downsizing” government, handing it over to equally corrupt and inefficient local or regional governments, more difficult to regulate.
  1. Reducing income taxes that mainly benefit the rich, allowing others to pick up the slack.
  1. God only knows how they would deal with certifiable crazies in North Korea.

Without exception, the current slate advocates all these points, some more vociferously than others. They are examples of how the “conservative” wing has hijacked the GOP, and in a perfect world, they would fall big, just like Goldwater in 1964. Trump is a bit of an exception, I’ll get to him in a while.

So, now that the dust has settled, several things are fairly clear.

Kasich is a dead man walking. Rubio now has no statistical path and it’s only a matter of time before he drops out. Once that happens, one wonders where their followers will go. I suspect they will back Cruz since the practical difference between Rubio and Cruz is nil, and they are, after all, “establishment” candidates. Christie is an anomaly, looking for some political favors from the candidate he has figured out will be the eventual nominee.

As a purely practical matter, I would rather see either Cruz or Rubio selected as the nominee. Neither would have a good chance of winning a general election, especially against Hillary who has a much stronger game than she has had in the past. Once the media vividly and endlessly pointed out Rubio’s Tea Party roots, he would fade quickly. Cruz has an astronomical “dislike” rating even within his own party that would bleed over to the general electorate quickly. He’s a particularly arrogant demagogue. The media would also vividly point out the many ways he’s tried to plunge the country back to William the Conquerer in 1066. They embody “conservative principles” that not only don’t work, they’re destructive. Neither of these guys could beat Hillary.

Then comes Trump, a de novo creation of a political system that got an approval rating of something like 6%? I heard one of Trump’s strategists interviewed by Poppy Harlow. She made it very clear. The voting public (ALL the voting public) has decided that they want the entire system destroyed and rebuilt at the hands of an aggressive, assertive leader-type that talks tough and has the capability to get things done by strength of will, cutting through the inefficient “system”. She remarked that she hoped the Republican establishment continued to try everything possible to gut Trump, as every bit of it made him stronger, especially ridiculous clown acts like Romney. The voters have en masse decided what they want and it’s do do whatever it takes to destroy the status-quo. The voters will have their way.

However, the events of yesterday suggest that Trump’s facade might be at least showing some cracks for exactly the reasons I mentioned earlier. Like Palin, every time he opens his mouth he shows more volatile inconsistency and it’s starting to be noticed, even by those desiring to break the system. They’re probably figuring out that the system needs to be broken but Trump is too capricious to be the one to do it. And since his stock in trade is his mouth, he has little choice but to continue in that vein, but in time, he’ll start showing himself to be what he is, a reality show ringmaster.

But I think he still has a shot at it because the USA has become a “reality-show” country. The very existence of Kardashians, The Batchelor, The Bachelorette, The Voice, American Idol, Real Housewives, and so ad infinitum points this out. The entire country is a variation on the themes of reality shows and so it was only a matter of time that a reality show ringmaster would rise and the public would accept him. At this stage, I think there is a very real chance that Trump will prevail and make it to the convention with a majority of the votes. I think it will be Trump vs Cruz and the only unknown now is how many of the other candidates followers will line up for whom and how much it will matter when the numbers are counted. Even if he doesn’t make a quorum and the convention gets brokered, you can bet that the same Republicans who loudly criticize “yellow dog Democrats” will line up to support ANY Republican with a chance of winning.

I think Cruz is far too disliked by far too many people to win, disliked for different reasons than Trump. Cruz would be a disaster. Hillary would beat him. That leaves Republicans with the option of lining up for Trump even though he isn’t a typical Republican and can’t be controlled by the party. I think they would hold their noses and sing Trump’s praises hoping to get him to see the party line once elected. Good luck with that.

If Trump were elected by a LOT of voters currently showing their hands, he would be somewhat less of a disaster than Cruz. He would have a higher propensity to make pragmatic deals that might work and figure out quickly what would never work under any circumstances (wall, illegals round-up, keeping Islamics out). If it came down to one or the other, if I were a Republican, I think I’d support Trump long before Cruz and just hope for the best.

As it pertains to Bernie and Hillary, I think Bernie was called out too soon as the events of Yesterday showed. If Bernie continues to make a showing in the future Primaries, he won’t quit for a while and every day he stays in weakens Hillary. In the end, it might be close, but I think Democratic voters will never elect a European-style socialist. And again, I personally think Hillary’s e-mail debacle is pure, US Govt Certified Prime Bullshit, but it is after all a way to get at her by her numerous enemies. Who knows, it might be unexpectedly successful. But I doubt it. I think it will fade in the future.

Hillary vs Cruz- Hillary would win. Americans won’t elect a Tea Party nut case. Hillary is the lesser evil.

Hillary vs Trump- Might be close, but in the end I think Sharpton is correct, Democrats and Independents would come out of the woodwork in huge droves to vote against Trump. Hillary would still win.

Sanders vs Trump- Would be a serious problem for the country. We would not elect a socialist. Trump would win and we would all just take our chances with an unstable, labile President.

Some politically volatile comments (personal opinion FWIW)

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crippenWhat follows is some conversation from the Website:  Med-Events:, a site I moderate for opinions and comments about current events. Sometimes it gets pretty volatile and there isn’t much held back as Events is a closed site. I cannot reproduce any of the opinions other than mine because I don’t have permissions. So I have put forth my opinions regarding certain current events of a volatile nature for whatever interest anyone may have, maybe none. It’s all mine and I opine from the perspective of having been there for some of it and having personally known some of those involved. I was, however, never a member of the Weather Underground and I never participated in any such violence.

It’s fairly long and involuted and I rarely copy-edit anything for spelling or grammar.

 

Crippen on “Protests”, Media” and “Black Lives Matter”. (Med-Events discussions in January-February, 1016.)

LE HAVRE, FRANCE - MAY 21: Anti-G8 activists protest during a demonstration on May 21, 2011 in Le Havre, France. The demonstrators were protesting against the G8 summit, to be held May 26 and 27 in the north-western French city of Deauville. (Photo by Franck Prevel/Getty Images)

LE HAVRE, FRANCE – MAY 21: Anti-G8 activists protest during a demonstration on May 21, 2011 in Le Havre, France. The demonstrators were protesting against the G8 summit, to be held May 26 and 27 in the north-western French city of Deauville. (Photo by Franck Prevel/Getty Images)

Demonstrations, Protests and the Media

Crippen: I’ve seen a lot of demonstrations in my lifetime and participated in a few when I was a younger dog. Here’s how it works. A group gets worked up over some atrocity, real or imagined, and they all congregate to show the public how pissed off they are and to assure their anger makes the 6 pm, 11 pm news and CNN. However, no one watching these news sources cares. Most don’t look up from their issue of People magazine. Whatever it is they’re demonstrating about, it doesn’t touch them and it doesn’t matter to them. It’s somewhere else, and it affects black people. OK, fair enough. Anyone for Chinese? The news services work it up for a while and they to get bored with it and move on to whatever the Royals are doing or how many ISIS sites were blown up.

Then the protesters figure out no one cares and they’re wasting their time. They march and then everything goes back to normal. So they then understand they need to make more of a splash to get the attention of those dulled by most news stories anyway. So the U of Missouri football team refuse to play, and some of the students go on hunger strikes and they loudly call for the resignation of higher-ups in the system. The dumbass higher-ups offer blanket apologies for atrocities they don’t even know about, roll over like weasels, exposing theirs softest parts at the whims of a pissed off MINORITY and skulk off to cheers of equally clueless cheering sections.

This hits the 6 pm, the 11 pm and Anderson Cooper briefly, the viewers look up from their Us magazine, tut-tut and then move on to the Real Housewives of Atlanta. The protesters loudly shout “we won!” and then repair to formulate more demands, many having nothing to do with the original atrocities at their school, real or imagined. Then all goes back to normal again for a while.

Then the protesters understand it’s time to kick the sleeping bear again. This time they obstruct traffic and entrance into major businesses on the busiest shopping day of the year. “LOOK AT US, WE’RE TRYING TO SHOW YOU WE’RE BEING DISCRIMINATED AGAINST”. That’ll show ’em. The public then definitely notices them. The “notice” the protesters get is the exact opposite of what they want. The public is inconvenienced and they don’t give a shit about the principle, they want the road cleared and the businesses non-obstructed.

Finally, the protesters understand that the only way to get noticed and stay noticed is by bombs and bullets. Just like the Weather Underground in 1970. The public will be dragged into an understanding of the problem whether they want to or not. That’s where this is headed.

 

436247168_640David Gilbert and the Weather Underground

Crippen: While in the air and hanging around airports over the last week I read an interesting book on the revolution in this country from the 60s and 70s, a subject I am very interested in as I was there for a lot of it. In my collection, I have almost every book written about this era, most from those involved, including a signed (to me) copy of “Fugitive Days” by Bill Ayres and an original first edition copy of “Prairie Fire: A political statement of the Weather Underground” (1974), run off by mimeograph to avoid detection by the ever vigilant Federales.

Regardless of whether you agree with him on anything, Bill Ayres writes a lot about American culture and most of it is an interesting read:

http://billayers.org

If anyone’s interested, the book is: “Love & Struggle: My life in the SDS” by David Gilbert, a stalwart of the Weather Underground in the early 70s, currently imprisoned at the Auburn Correctional facility in New York for his (non-violent) part in the infamous Brinks robbery in 1981 during the waning years of the WU. David and his wife Kathy Boudin were caught up in a plot to finance future radical activity by robbing a Brinks truck that went completely wrong and people were killed by members of the Black Liberation Army (BLA), a faction that both Gilbert and Boudin stupidly underestimated. Boudin was released in 2003 after 22 years. Gilbert is my age, has spent most of his adult life in prison and will die there as he isn’t eligible for parole until the year 2056. Bill Ayres and Bernardine Dohrn legally adopted Gilbert & Boudin’s son while they were incarcerated. He is a civil rights lawyer today.

UnknownThere are several things learned from reading accounts of the “Days of Rage”, specifically the Students for Democratic Society (SDS) and it evolution to the “Weather Underground” (WU) by people that were intimately involved.

  1. The SDS were by and large white children of privilege, reared in families of means, many of them Jewish as were both David Gilbert and Kathy Boudin. Kathy’s father was an ultra-left wing lawyer, counsel to numerous left-wing organizations. Her great-uncle was Louis B. Boudin, a Marxist theorist. Gilbert was an Explorer Scout. In essence, they were all what we would have described then as “Communists” in the purist sense with a Marxist economics inflection. They interpreted many of Marx’s principles of the value of work belonging to workers and not to those who dilute it unfairly.
  1. The SDS started life in the late 60s with the fundamental goal of addressing the inequities of the poor and disadvantaged in a world that entitles white males. Their primary interest was exposing the inequities of minorities including dramatic deficits in education, nutrition, housing, jobs and opportunity for black folk. They developed an accumulating interest in the Black Panther Party (BPP), established in 1966 and mirrored most of their political/social activities. The BPP’s core practice was its armed street patrols to monitor police officers behavior and challenge police brutality in the vicinity of Oakland, California. In 1969, with assistance from the SDS, the Panthers evolved to community social programs including Free Breakfast for Children Programs, and community health clinics.
  1. The complaints brought by either the Panthers or the Weathermen in the late 60s were absolutely righteous. There were, indeed, egregious and terrible offenses against those unlucky to have been poor and especially black. They were herded into ghettos. There was intense job and education discrimination and mostly they were systematically abused by police, who considered them vermin. The WU also “discovered” sexism in society and went to great lengths to resolve in in their own organization, creating great strife amongst the mostly while male factions steeped in sexism from birth.
  1. In their early iterations, neither the panthers or the WU had any particular interest in violence as it pertained to murder. That said, the Panthers were happy to flaunt their right to openly carry weapons, frequently waving them under the noses of police, daring them to respond. This was not a particularly wise action in the late 60s. From 1967-1969, there were at least eight gun battles in which three police officers and five Panthers died. Otherwise, both the Panthers and the Weathermen were committed to social change by publicly exposing social inequities and by participating in non-violent demonstrations. However, the police and FBI overreacted to most of it. J. Edgar Hoover called the panthers “the greatest threat to the internal security of the country” and he supervised an extensive program (COINTELPRO) of surveillance, infiltration, perjury, police harassment, and many other tactics designed to undermine them, quickly extending to the SDS, who reacted by forming the much more aggressive Weather Underground in 1969. The program was also accused of using assassination against Black Panther members, including the death of Fred Hampton and Mark Clark in December, 1969 in Chicago, a seminal event in radicalizing the SDS.
  1. After the deaths of Hampton and Clark, the Weathermen realized that the police could run roughshod over protesters. They also realized that general public had little interest in addressing the problems associated with the poor and disadvantaged, especially of black folk minorities. The Vietnam war was also beginning to rage, an altercation considered by the WU to be blatant imperialism. Simply pointing it out was as ineffective for the BPP and WU as it was for Dr. King much earlier. Both groups then radicalized into factions that would not only point out these societal deficits but do so more forcefully by “getting the attention” of an otherwise apathetic public. This would be accomplished by blowing up buildings associated with Nationalist imperialism and discrimination, of course to be vividly described on National television for a much wider audience than newspapers.
  1. The WU aligned themselves with virtually any other organization dedicated to the aggressive (violent) redesign of American government/politics, end the imperialist war in Vietnam and as an afterthought, to end sexism. It was at this juncture that they made at least two fatal mistakes that would go on to destroy them. They embraced collections of steely-eyed killers whose mission was simply to kill cops in retribution for the ills they had suffered and they thought that simply blowing up buildings would not harm innocent bystanders.
  1. The “Brinks Job” in 1981 that sent Dave Gilbert and Kathy Boudin to prison for much of their adult lives was a terrible miscalculation. Both should have known better, but again, this must be viewed in the persona of the time. While Gilbert and Boudin waited in a U-Haul truck in a nearby parking lot, armed BLA members found themselves accidentally confronting the Brinks guards and a shootout ensued, killing several at the scene. The BLA members transferred $1.6 million in cash transfer into the waiting U-Haul, quickly apprehended by a police roadblock. Gilbert and Boudin surrendered but when the officers tried to search the back of the vehicle Black Liberation A members emerged shooting with automatic weapons, killing more at the site.
  1.   Most of the Weather Underground intimates have never recognized or repudiated their mistakes of the 60s and 70s. In Gilbert’s book, he repeatedly articulates that they were on a mission from God and their quest was righteous, glossing over several realities. In fact, they probably ever had a chance. None of their passionate ideals were of any particular interest to most of the general public. Few in majority America cared much about the plight of the poor and disadvantaged. It is VERY unclear whether “protest demonstrations” actually did much to change anything until those changes evolved naturally over their own good time, particularly anti-war demonstrations. All these protests went on for years but change generally didn’t occur within the time frame of the demonstrations. The Vietnam war didn’t end until 1975 and conditions for black folk, including a lot of them shot by police continue to this day. And again, blowing up buildings to publicize social inequity didn’t work very well, sufficing mainly to build CNN up to it’s worldwide penetrance. A few accidental innocents killed because of being in the wrong place at the wrong time undermined any utility of these actions.
  1. One of the things gleaned from David’s rather eloquent memoirs is the fact that to the truly radicalized, there is absolutely NO concession to any opposition and there will always be an perpetual, open-ended search for discrimination and social inequity. This concept has come to fruit now following the shooting or beating of unarmed (but sometimes aggressive) young black males by police. The reaction to it has been now to “find” discrimination on places normally though to be fairly benign. Discrimination is now defined in institutions where there “aren’t enough” minorities. How many minority administrators are “enough”? (More). In a mid-western university, several top administrators bullied into resigning because their minds weren’t quite right. How right should their minds be? (more than they are). How many minorities should be offered acting jobs in Hollywood? (More). Anything is now “racist” if a “J’accuse” finger is pointed at them by a loud voice popping up on the Internet. When that happens, the accused party is guilty until they can prove themselves otherwise.
  1. We are now liable for a repeat of the events of 1970 because we haven’t learned that little of it worked in 1970. Much heat was generated but little useful work. We now have a stage set for another Black Liberation Army and the events that followed it.

 

-4-panthers-on-parade-at-free-huey-rally-in-defermery-park-oakland-july-28-1968.-photo-courtesy-of-stephen-shames._wide-c2a3c0470820d318da280cf6614412a295d6bbda-s900-c85Black Panthers and “Terrorism”

Crippen: The Black Panthers, Weather Underground and Timothy McVey were clearly terrorists. Anyone who uses violence to terrorize or instill fear into a community to try to effect change is a terrorist.

 

Well, since I knew people involved with the Weather Underground in the early 70s and I have really studies both the Panthers and their successors the Black Liberation Army (BLA) I may not be an expert but I’m more knowledgeable than many.

There are subtle and maybe not so subtle differences between all three of these factions but I would not call any of the “terrorists” in the same sense as radical fundamentalist Islamics.

The Arabs use wanton killings of masses as a tool to spread fear in a population, and it works pretty well. They do so because they want to kill off as many infidels as possible and run the rest of us off the cliff if possible. It’s a global hatred thing of an entire civilization and there isn’t any focus. There isn’t any specific issue. It’s all Americans, or all non-islamics for that matter. Their destruction isn’t focal. It’s anywhere, anytime.

However, the Weathermen of the early 70s were focused specifically on the Vietnam war. They focused damage (not so much death, most deaths were accidental) on public icons and buildings related to the war and it was specifically for publicity value, to advertise their opposition of the war. All of their bombings were warned before the fact.

The Panthers rarely did any specific damage. Their focus was to point out the discrepancy between black america and white America as it applied to jobs, education and opportunity. They created alternative schools and food sources. They liked to wave guns in front of cops and dare them to do anything about it but didn’t they kill anyone that I recall. However, the cops did kill some high profile Panthers.

The BLA was the tactical arm of the Panthers’ social philosophy. They were the reaction to cops killing Bobby Hutton and Fred Hampton. They killed isolated police officers in cold blood minding their own business cruising in cars or walking beats. They were all busted and many of them re-located to Cuba or Africa, where some remain.

Tim McVeigh bombed an isolated building as revenge against the federal government for its handling of the Waco Siege. It was a one-time event by one pissed off individual to simply get quits with the government. Not meant to spread “terror”.

No none of these factions are technically “terrorists” was we understand the term in 2015.

 

13.pngDinesh D’Souza vs. Bill Ayres debate, 2/10/16.

Crippen: This debate was just amazing. Fantastic. Everyone should have seen it. The really great thing was the fact that the University of Michigan had the foresight to put this on in this world of enforced political correctness. To present different viewpoints in an educational forum, not screaming at each other as frequently happens on Bill Maher. The audience was clearly biased to conservativeness but they were well behaved and didn’t boo either debater. The debaters were very polite and respectful of each other in their comments. They both stuck to the issues and not attacking each other…much.

To my observation, D’Souza came off dark, foreboding and very, very angry. He rarely smiled. Frowned frequently and regularly grimaced at Ayres making some point he didn’t like. He was dressed in a formal suit & tie and appeared nervous, beads of perspiration on his face. Dinesh is a self-proclaimed “child of the 80s” (The “me” generation as I recall).

D’Souza was right about the generation gap between them. Ayres is straight up 60s hippie, free & easy, t-shirt, earrings, comfortable even in this hostile environment, laughed and smiled a lot. Jeans, backpack on his back. He has nothing to be angry about, really. He’s been there and done it all, but he makes good points cheerfully and with no particular malice.

The audience was hostile under the surface but the rules were followed pretty much. No booing, no speeches by the audience instead of questions. When one female started making an extended speech they cut her short and she really didn’t have much of a question.

I think best interaction was when some female started espousing the classic conservative line: “I work hard for my money, why should I have to give any of it up. It’s mine to do with as I please”. Ayres shut her down hard (I think), letting her know that the reason she has any money at all is because of all the infrastructure paid by taxes. She wanted to use all that then keep the proceeds, letting someone else support the infrastructures that allowed her to accumulate wealth.

There was another good one. Another female rose to very a smarmy remark that she was offended at Ayres’ “Black Lives Matter” T-Shirt. Very smugly and self righteously opined that “all lives matter”. Ayres nailed her with the reply that “all lives” were not getting shot dead, unarmed, in the street for bad attitudes.

Dinesh actually did make a few valid points though (only a few, the rest of his diatribe was sophomoric mythology). I was a little more impressed with him than I thought I’d be. I thought Bill Ayres shut him down pretty regularly, exposing his faulty logic. The moderator said something about his film: “Obama 2016” being the highest grossing this and the most award winning that. Of course that’s all bullshit Conservative propaganda. That film was laughable garbage, none of it was true at the time and none of it came true later. Every reviewer, those that bothered, trashed it (except of course conservative Republicans). So in the end, Dinesh is STILL the guy that produced and directed that smelly piece of shit and he believes it to this day.

The moderator also pronounced that Dinesh was one of the true great conservative intellectual voices of our generation. That may very well be true, but if it is, I’m not too impressed with that voice. Most of his points made were unsupportable theory and open-ended criticism of any opponents without specifically refuting facts.

They mentioned something at the end about having another “debate” about each others legal woes. Ayres brightened up about that. He’s been defending most of that for years, pretty eloquently. I’d like to see that show.

 

blacklivesmatter-2015“Black Matters Matter” and history

Crippen: I think they go out of their way to portray almost any kind of trouble that blacks get into to reaffirm the ongoing suspicion that blacks are always in some kind of trouble. News services have no interest in news. They have an interest in as many viewers as possible watching their advertisers. They’re interested in taping into the drooling cretins that watch “Kardashians”, “Real Housewives”, “Batchelor” and “Broke Girls” (with it’s ridiculous laugh track).

Dr. King never asked that blacks get an exalted position in American culture. He only asked for an even break and it never happened, then or now despite “laws” superficially assuring it. They know that as black culture progressively recedes from mainstream it’s progressively disliked by the mainstream. It’s a alternate universe, a matriarchal culture with continued job and educational discrimination, too many kids hanging around streets with nothing to do, a drug culture and a crime culture. Mainstream America loves to watch the details on the tube. Scary pictures of suspects. Black on black crime occurring in areas receding from mainstream residential areas. It affirms what mainstream America has always suspected; that they’re dangerous and need to be isolated.

Ayres had a “Black Lives Matter” shirt because he fervently believes that. I give him that. In the 60s, blacks were reliably and brutally mistreated by society in general and cops in particular. The Weather Underground started it’s life on a parallel course with civil rights and only became violent when it became apparent that nothing was changing any of it. Bill Ayres continues to be stuck in the 60s because he’s seen it all and there’s a lot to see.

Black lives DO matter and there is a VERY strong suggestion in the media that they are being shot simply for bad attitudes. I don’t know if “most” cop shootings of unarmed citizens are black. I VERY strongly suspect they are and I’d be interested to see any convincing data to show otherwise.

I do know that there have been a considerable number of blacks shot by cops on film that at least appear that they’re shot for little other than bad attitudes. Cops shooting them for criteria they would NOT shoot a Fox Chapel housewife with a bad attitude for in my neighborhood. All lives do matter too, but the attitude of the female on the Ayres-D’Souza program was that because “all lives matter”, black lives don’t matter so much.

 

screen_shot_2014-08-13_at_8.38.17_pmDeadly Force and young black males

Crippen: Re: justification for “deadly Force”. The reality is that multiple legal challenges from the past, including the SCOTUS have confirmed that it’s the police shooter that determines at the time what a “threat” is, not the TV news the next day. If the officer believes there is a threat to his life or the life of some other innocent he’s pledged to “protect and serve”, his decision is VERY “bulletproof” from complaints after the fact (as we’ve seen from current events).

The problem, I think, is that the decision to shoot young black men armed only with bad attitudes breaks a lower threshold than for solid citizen suburban whites. In Ferguson, it’s difficult to know exactly what happened because of all the highly biased observers on the street, each with a very strong incentives to blame cops for everything and anything. Some observers claimed Brown was on his knees, tearfully begging for his life, whereupon the cop callously shot him in cold blood. Does anyone really believe that? I don’t. It makes zero sense that in an inflammatory situation a young police officer with a family and a career would do that in front of a pissed off audience of witnesses.

90205-fullMore likely, Brown, passionately pissed off at the situation, decided to get into the face of a cop that was hassling him and others, probably threatening all of them with the authority of a uniform. The experiences of young black males on the street with cops is “uniformly” bad. The experiences of cops dealing with pissed off young black males very quick to exert their “constitutional rights” to “protest” by taunting a cop in his face are equally bad.

This sets the stage for both groups that hate each other on sight. But the young black males STILL have not learned that they can NEVER win an altercation with police on the street. They still like to get in their faces, especially in a situation where the cop is outnumbered. But the reality is that if the cop feels threatened, the law is on his side if he chooses to protect himself and he gets to determine if he’s threatened.

It’s highly that Brown, a big kid, pissed off to the max, decided to approach the cop in a threatening manner, not to kill him but to taunt him with his nose inches from his face. The cop interpreted this as threatening and, his threshold for deadly force already lowered for blacks on the street, protected himself before he could find out if the threat to him was dangerous. If it had been a Fox Chapel housewife (blond, great legs, driving a Lexus SUV, got out of a car (stopped for speeding to her hair appointment) and got screaming in the face of a cop on Fox Chapel Road, it’s HIGHLY UNLIKELY she would be shot. And yes, I consider those situations similar.

There is an extensive history of young black males getting in the face of cops. It was the whole point of the Black Panthers in the 60s. They made an art form of it, frequently waving guns in front of the cops nose daring them to do anything about it. The knew (or thought they knew) that the cops would back off rather than make a big stink with the Panthers who were like the “Mighty Ducks”. You screw with one, you screw with the whole flock. And they got away with it for a long time, but as they did, they built up a frustration level in the police force. A frustration level that eventually led to breaking through and the police manufacturing confrontations where the Panthers’ frustrations broke the threshold to actually shoot back, whereupon they were bested by superior tactics and firepower.

FBI Director J. Edgar Hoover called the party “the greatest threat to the internal security of the country”, initiating surveillance and harassment program (COINTELPRO), tactics specifically designed to undermine Panther leadership, incriminate party members, discredit and criminalize the Party and drain the organization of resources. The program was also accused of creating and manipulating scenarios where police could assassinate Panthers after setting them up to appear to be “threatening” officers. Shootouts with police began in which Panthers usually got the worst of it.

On October 28, 1967, Oakland California police officer John Frey was killed in an altercation with Panther Huey Newton during a traffic stop. Newton and a backup officer also suffered gunshot wounds. On April 7, 1968, Panther Bobby Hutton was killed in a shootout with the Oakland police, and Panther Eldridge Cleaver was wounded . Two police officers were also shot. Panthers later admitted that Cleaver had led the police into a deliberate ambush, provoking the shoot-out. On January 17, 1969, Panthers Bunchy Carter John Huggins were killed in a shootout on the UCLA campus. Another shootout on March 17 led to two more Panthers dead.

fredhamptondeadBut the big one, the one that led to the violent focus of the Weather Underground was the killing of Fred Hampton and Mark Clark on December 4, 1969 in a shootout orchestrated by the Chicago police and FBI. A federal investigation reported that only one shot was fired by the Panthers and police fired at least 80 shots. Hampton was shot twice in the head at point blank range. He was 21 years old and unarmed at the time of his death. Coroner reports show that Hampton was drugged with barbiturate said to have been administered by that night by FBI Panther infiltrator William O’Neal. Cook County State’s Attorney Edward Hanrahan, and eight Chicago police officers were indicted by a federal grand jury over the raid, but the charges were later dismissed. In 1979 civil action, Hampton’s family won $1.85 million from the city of Chicago in a wrongful death settlement.

Members of the Chicago Weathermen (including Bill Ayres) were on the scene and viewed Hampton’s body. They were galvanized and instantly radicalized by Hampton’s death. From that point on, they made the strategic decision to begin retribution for the way blacks were treated and the indifferent attitude of White America. Plus of course the continuing mess in Vietnam.

Hampton’s death was also the focal point for the creating of the infamous Black Liberation Army (BLA) around 1970, a group radically different than the Panthers. The Black Panther Party’s original goals were to provide alternate community social programs for the perpetually disadvantaged black community. Breakfasts for kids, alternate health care and education. It was the side actions of their contempt for the police (and pretty much white America) that got them into trouble. The BLA cared nothing about these things. The BLA existed to make the police (and white America) “pay” for their crimes against black america.

Black_Liberation_Army_(emblem)The BLA was mostly composed of former Panthers and their stated credo was “armed struggle”, taking up arms for the liberation and self-determination of black people in the United States.” The BLA carried out a series of bombings, murders, robberies and prison breaks (including my friend and patient Tim Leary in 1971). Expatriate Eldridge Cleaver publicly criticized the BLA as being revolutionary instead of reformist. According to a Justice Department report, the BLA is suspected of involvement in over 70 incidents of violence between and the murders of 13 police officers1970 and 1976. The Weathermen strongly sympathized with the radical Black Panthers. The police killing of Panther Fred Hampton prompted the Weatherman to issue a declaration of war upon the United States government.

Part of the WU manifesto goes: “The most important task for us toward making the revolution, and the work our collectives should engage in, is the creation of a mass revolutionary movement, without which a clandestine revolutionary party will be impossible. A revolutionary mass movement is different from the traditional revisionist mass base of “sympathizers”. Rather it is akin to the Red Guard in China, based on the full participation and involvement of masses of people in the practice of making revolution; a movement with a full willingness to participate in the violent and illegal struggle”.

Now, why do I ply you with this long, dry history? I think because it’s history repeating itself. Police with a low threshold for shooting young black males approaching them in “threatening” poses, legally justified and blessed by Grand Juries”. A gathering of seriously pissed off blacks now with the “Black Lives Matter” logo in he media, greeted by indifference of a large chunk of white America.This sets the stage for blacks figuring out that “Black Lives Mater” isn’t taken seriously (as vividly demonstrated in the Ayres/D’Souza debate Wednesday evening).

The next logical step is for those galvanized blacks to start getting more aggressive in showing white American their displeasure, including getting in the faces of cops as a demonstration that they DO matter. Then cops will continue shooting them and Grand Juries will continue exonerating them. Then the stage is further set for another Black Liberation Activity, just like 1970 when business owners sat guard in front of their storefronts, shotguns propped on their toes.

History shows that this could easily happen and might already be happening. I’m worried that it could, and how it might impact the 2016 election.

A passing: Paul Kantner (1941-2016)

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Paul in '68 & '15You’d have to work hard to overestimate the musical contribution of Paul Kantner (and the Jefferson Starship). Paul died yesterday, Essentially of old age, at 74.

Formed in 1965, the Jefferson Airplane truly defined the “psychedelic era” in music. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969). “Somebody to love” and White Rabbit” are among Rolling Stone’s Greatest Songs of All Time”. The Airplane was inducted into the R & R Hall of Fame in 1996.

Gracie '68 and nowPaul didn’t talk much but he was the pillar that created, maintained and now died with the Jefferson Airplane, one of the truly seminal musical groups of the 60’s, an era defined by it’s music. Lead singer Gracie Slick got all the media attention because she was volatile and the camera loved her. Gracie was the first female megastar in rock history and a brutally candid, sensuous symbol of 1960s counterculture. Now with snow-white hair, Gracie once remarked on a talk show that she once woke up at 110 mph in a Porsche on the 405.

In a 1968 Amsterdam concert incident, Doors singer Jim Morrison, under the influence of God knows what, appeared on stage and began dancing like a pinwheel. The Airplane played “Plastic Fantastic Lover” increasingly faster, Morrison continuing to spin faster finally falling senseless at Marty Balin’s feet. Morrison was hospitalized.

Jorma and meLead guitarist Jorma Kaukonen is an acquaintance; I played with him a couple of decades or so ago. He went on to form “Hot Tuna” and is still playing gigs out there on the road. I met Gracie a while back and have her signature on a poster in my music room.

Others in the group coming and going, Paul played with the Airplane’s entire history,. When the Airplane broke up in 1972, Kantner then formed the “Jefferson Starship” which went on until Gracie quit due to age-related loss of interest in 1988. This year she’s 76 years old and rarely seen in public.

Paul Kantner was a very important person in music throughout his lifetime. He and many others of his ilk, soon to expire, defined an age that will probably never be seen again. Rest in peace, Paul. A life well lived.

 

 

Death Triads for the new millennium

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Traditionally, deaths for performance artists come in triads, but historically for different reasons.

Jim Morrison: (July 3, 1971) Two radically opposite personalities on and off ethanol.
Janis Joplin: (Oct 4, 1970). Made love to 1150 adoring fans at the Fillmore West, then went home alone.
Jimi Hendrix: (Sept 18, 1970) Chronic insomnia aided to permanent sleep.

All within a year of each other, all in their twenties from acute and chronic disorders self-mistreatment. All a direct result of the suspension of most laws of God and man in the waning sixties.

And speaking of sixties, we now have the obligatory new millennium triad of:

David Bowie; (Class by himself)
Glenn Frey: (Classically “American” band- “The Eagles”)
Dallas Taylor (“Crosby, Stills, Nash & Young” drummer)

Bowie died at age 69 after an 18-month battle with cancer, leaving a very intense “goodbye” video, cloistering himself in a closet at the end. Frey died at 67 from complications of longstanding rheumatoid disease and colitis. There is some conjecture that the new drug “Humera” may have weakened his immune system (unverified). Taylor was 66, suffered from cirrhosis, receiving a liver transplant in 1990, lasted 26 years.

What all these guys have in common is that they died of “old men” diseases in an age where “old men” are now lasting into their 80s (but not necessarily with the same quality of life). In fact, the death rate from “old men” diseases hasn’t changed much in the new millennium. 60s is when much it peaks. All the truly great performing musicians of my generation are now facing their mortality.

What’s coming next: rode hard and put away wet, Eric Clapton and Ginger Baker (Cream) are now 70 and 76 respectively. Jack Bruce died last year at age 71. Neil Young is 71 and entering his tenth or so “middle age crisis”, dumping his aging wife and taking up with famously predatory starlet Daryl Hannah (“Blade Runner”). David Crippen, still chugging along barely ahead of the game so far.

You really know you’re getting old when you start reading obituaries looking for people you know. Thomas Hobbes said: “The life of man- solitary, poor, nasty, brutish, and short”, mercifully, has not been true for any of the above. The future will, however, continue to be a self-fulfilling prophecy.

Film review: “The Revenant” (2016)

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revenant-gallery-16-gallery-imageFirst and foremost, this amazing film holds some unexpected surprises along with what was highly touted in the pre-release reviews. The biggest surprise was the performance of Tom Hardy, one of the very best emerging stars. I really think Hardy’s performance exceeds the otherwise wonderful showing of Leonardo DiCaprio, who has little dialog, mostly non-verbal interpretation. Hardy is in the running for Supporting Actor but might be a long shot because of his famous reluctance to promote himself. In my opinion, of the many reasons to see this wonderful film, Tom Hardy is a top draw.

The second surprise in this film is the absolutely incredible cinematography by camera genius Emmanuel Lubezki. I don’t believe I have seen anything in the league of this photography since the old days of David Lean using antiquated technology.

This is definitely a “Director’s Film”. Alejandro Iñárritu through his cinematographer Lubezki decided to make the conditions of this story exactly as they would have been in the original circumstances. He set the environment exactly as he wanted it, then hired the best actors in the world and set them free to interpret the basic story within that environment. Lubezki used only natural light for every single scene, which means that under the circumstances, filming was only possible a few hours a day creating an incredibly immersive and visceral setting

Shot in lower Argentina and Canada, every single scene of revenant was filmed in brutally freezing conditions, putting the actors through an incredible wringer. There were no scenes with outside lighting. The bear bite scene was, however, said to be CGI provided by Lucas. It is incredibly real.

In the past, trust in a director has resulted in tough conditions for actors to get it right. In his quest for perfection, Stanley Kubrick put Malcolm McDowell through cracked ribs, scratched corneas and a broken nose in the famous face-in-the-pasta scene for Clockwork Orange (1971). On a Charlie Rose interview, vegetarian Leonardo DiCaprio said he had to eat a chunk of raw buffalo liver, learn to shoot a musket, build a fire from scratch, speak two Native American languages and study ancient healing techniques. DiCaprio calls Revenant the most arduous performance of his career.

All things considered, this is an absolutely amazing “must see” film, nominated for an astounding 12 Academy Awards, tying it with such classics as Ben-Hur, On the Waterfront and Gladiator. I don’t think there is any serious competition for the top four Oscars, but then it must be remembered that the Academy of Motion Picture Arts & Sciences is pretty much populated by old white men (like me) with their accompanying biases. The AMPAS has been egregiously wrong in the past, as in 1963 when they robbed Peter O’Toole of his Oscar for “Lawrence of Arabia”. A theft that, had those responsible been discovered, they’d all still be in jail today. So we shall see what we shall see in February 2016.

I give this film a hearty FIVE of five gory bear bites.

Highly recommended by me. You will not see cinematography like this in any other contemporary film. Emmanuel Lubezki is in a class by himself. Somewhere David Lean is smiling.

 

 

Film Review: The Hateful Eight (2015)

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hqdefaultIt’s a temptation to add Quentin Tarantino to the hallowed roles of the world’s greatest film directors, but there are problems.

Quentin is not in the league of David Lean (“Lawrence of Arabia”- 1960 – “Dr. Zhivago”- 1965). Lean portrayed the most expansive interpretations of classic novels and historical notables ever filmed. If there’s any contemporary director comfortable at Lean’s table it’s definitely Alejandro Iñárritu, who has a virtual lock on an upcoming Academy Award.

No, I think the closest Tarantino will come to Lean is a to an amalgam of Bernardo Bertoluci and Stanley Kubrick. Tarantino’s films can be nicely compared to “Last Tango in Paris” (1976) and “Clockwork Orange” (1971). They are brilliant, luminous, intense, iconoclastic and they break molds.

And as I mentioned in earlier reviews, some directors allow actors to run their talent with minimal direction (Alejandro Iñárritu who concentrates on setting the environment for them to do so). Tarantino is not one on of those directors. He modulates every word that comes out of the actor’s mouths according to his vision of the scene. Brilliantly.

And BTW, the only actor that Tarantino trusts to do a scene any way he likes is Samuel L. Jackson, an actor that Tarantino has featured in seven of his eight films. Jackson is (as of 2011 Guinness Book) the second highest grossing actor of all time, paid an average of $68.2 million per film. Jackson has never won an Oscar.

Tarantino’s films are all innovative and creative but he has a flaw that I think holds him back from greatness That’s his affection for what Alex from “Clockwork Orange” would call “the old ultra-violence”. Tarantino’s films are reliably marinated in it, not just garden-variety shootings and stabbings, but creative visual interpretations of gory details.

I don’t think that “The Hateful Eight” is one of Tarantino’s best films. He goes way out of his way to spend money on ultra-wide 70 mm film that the audience can’t discern much if any difference from digital. The story line starts out interesting but quickly degenerates to a political diatribe on Civil War discrimination, then falls apart completely in the second half. A transformation that doesn’t really make much practical sense and is steeped in gratuitous, gory violence and sexual deviation prompting the audience to wonder if it adds much to the otherwise interesting story line.

That said, the film has excellent performances, especially by Kurt Russell, Jennifer Jason-Leigh and Walton Goggins (from “Justified”). The original score by Ennio Morricone (Fistful of dollars- 1964 and “The Good, Bad and the Ugly”- 1966) is interesting. The story line, mostly the first half, is engaging, well photographed and typically creative, but not nearly in the league of “Pulp Fiction”- 1994

A major flaw I think is that here’s no detectable moral framework in any of these characters, if there was ever any design for such. Tarantino generated a mix of profoundly amoral characters working hard to distance themselves from any semblance of a moral compass. A study of random, desultory barbarity that occurs when all the rules of God and man are suspended. This is a recurring theme in his films culminating in this one that maybe cries out for some evolution. Unclear how interesting this mode will continue to be with future audiences as his reviews are starting to wane.

So, in the end, I think this is an interesting film but deeply flawed because Tarantino is allowed to extol his own deepest human foibles as film noir. This hasn’t worked in the past for other Directors working their own political or quasi-religious passions (John Travolta in “Battlefield Earth”-2000, a mind-altering disaster). It’s unclear whether Tarantino’s previous reputation will fade somewhat as he alienates many audiences.

I’m giving “The Hateful Eight” three of five seizures at the end of a hangman’s rope.

Exceptional violence and brutishness. Unacceptable for most audiences unless Tarantino fanatics.

What’s in a picture (part 2)

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johndenverOccasionally I’ll come across a photo that really is worth a thousand words, but for which little is written. I reported on such a photo last week.

I came across this after some research on singer/songwriter John Denver who piqued my interest from a really interesting video “The Wilderness Concert” (Google it on youtube). I think some really beautiful, underrated music.

One of the clips from this concert was regarding Denver’s brief monologue regarding someone he knew that was an inspiration for writing a song. Denver, like many other songwriters like James Taylor and Neil Young are famous for writing songs on-the-fly following some kind of otherwise trivial inspiration. Neil Young wrote “Ohio” in a few minutes on a table napkin after hearing the news on a radio about the National Guard shooting at Kent State in 1970. Denver wrote “Leavin’ on a jet plane” while on a ski lift. The inspiration comes, everything stops and songs are written Samuel Taylor Coleridge–style (“Kubla Khan”).

It was the imagery that Denver translated to maybe one of the most beautiful songs I’ve ever heard, nearly perfect musicality-wise. Listenable, emotional rhythm and perfect lyrics. He said in an interview that he didn’t understand how these things come to him. It’s a gift he’s very thankful for. I sometimes research these people wondering at such gifts.

At any rate, I really would like you to listen to the song he created from this simple inspiration. I think even Dr. Simmons, who hasn’t listened to a singer since 1950, will appreciate this beautiful song by a very underrated artist he probably never heard of ;-).

Here is part of the explanation he gives for the song.

“I have a friend whose name Mardy Murrie,

and she’s 93 years old… theman who was

her husband, Olaus Murie, passed away

many years ago, The way Mardy kept his love

and her feeling for him alive in her heart was to

commit herself to saving the land they both loved

so very, very She spoke of Olaus always as her

beloved,and they loved to dance, the waltz especially,

and they danced whenever they could, whenever

they felt like it, regardless of the conditions. And I

have this picture of them out in the frozen tundra

of Alaska in each others arms dancing, and no

music except the sound of the wind rushing across

that frozenwasteland, or someplace in a forest or

someplace beneath the full moon. And so I wrote

this song for Mardy.” – John Denver

Photographs of Mardy and Olaus dancing do not exist except in John Denver’s mind somewhere, translated to a haunting interpretation. Enjoy this beautiful music if you have an interest.

https://www.youtube.com/watch?v=G_S9IRebElY

 

 

 

A passing: David Bowie

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bowie_on_tourSad passing of David Bowie from cancer at age 69. Not any sadder than anyone passing from cancer at any age, but in the case of the Thin White Duke, not so sad as his amazing body of work left behind will speak for him forever.

There are at least two markers of genius. First is inimitability. True genius can be echoed by pretenders but never equaled. The second is that there is virtually no limit to their timeless multi-talented potential. Bowie (nee Jones) has said he considered himself a “collector of personalities”. Beginning in the 60s and 70s with “Space Oddity” and Ziggy Stardust” and the “Thin White Duke”. Proceeding through the 80s with new wave and his pop era and “Tin Machine”, into the 90s with his electronic period, and ultimately into the new millennium with his neoclassicist period. He collaborated with many other world class musicians including Queen (“Under Pressure”- 1981). In any of these periods, there is music to be enjoyed by some audience’s tastes.

Bowie also participated in and defined characters from several films including “The man who fell to earth” (1976), The Hunger (1983) and The last temptation of Christ (1988). He was inducted into the Rock & Roll Hall of Fame in 1996. Music reviewer Brad Filicky writes: “Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit, influencing fashion and pop culture”. Biographer Thomas Forget adds, “Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie”. In 2000, Bowie was named by British magazine the New Musical Express as the “most influential artist of all time”.

So, we add this incredible talent to the list of inimitable, timeless, pervasive artists “of a certain age” approaching their mortality now, but never forgotten.

“Star Wars: The Force Awakens” (2015)

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Latest-The-Force-Awakens-Trailer-DescriptionUnfortunately, this is a film that cannot be “reviewed” by examining the proceedings of the plot. To do so would give up spoilers almost from the beginning, so I’ll have to give you some ideas about it from a wider vantage.

Director George Lucas was on Charlie Rose the other day relating that he thought the Star Wars idea had been worked into the ground, which is why he sold it to JJ Abrams who thought he could resurrect it to a new generation of viewers. Of course, the generation thing would be about right since the original Star Wars IV opened in 1977. I was a resident at NYU and I stood in line like everyone else to see it at an uptown Manhattan theater. It’s been almost 40 years since the iconic first episode. The five others have been almost anticlimactic.

There really was a new generation waiting to see a resurgence of a franchise that unexpectedly changed the nature of how movies were made. Originally, Lucas was so sure the film would be a flop that he didn’t attend the premiere; went to Hawaii on vacation. The producers fully expected a mega-flop and were working on how to dump it overseas. To everyone’s surprise, Star Wars exploded at the box office and became the first film that made actors rich from the sale of franchised toys and baubles, more so than their salaries.

The problem was that just about every possible previous plot line was previously squeezed till it bled. It was unclear to Lucas what Abrams could do to make it fresh again.

The answer is “not much”.

Sold-out seats in every Pittsburgh theater notwithstanding, I was quite suspicious that this re-tread was not going to be terribly satisfying. The critics were kind on “Rotten Tomatoes” (94%), but I hasten to add that many of these critics were toddlers when the first Star Wars hit the street, so it was more or less a new phenomenon for them. In fact, this iteration is a variation on the original theme of “Star Wars IV: A new Hope” (1977) with upgraded characters plying the same basic premise. A new, upgraded cantina scene (filled with Republican Presidential Candidates), an upgraded Dearth Vader filling out a newly styled black outfit, a similar plot- saving the universe from an upgraded “death Star”. Along with a lot of plot spoilers I can’t tell you about.

JJ Abrams is a very strong director and has done good work along very popular happy themes (Lost, Super 8, Mission Impossible III and two new Star Trek films). He has a knack for bland entertainment, not so much for deep soul-searching films that leave the viewer exhausted at the end of the film. He is not Alejandro Iñárritu (The Revenant), Joel Cohen (No Country for Old Men), Ridley Scott (Bladerunner) or Quinton Tarantino (Pulp Fiction et al). His talent is not as deep, but spread out wider.

I think the main draw of the film is to see the three principal characters; Princess Leia, Han Solo and Luke Skywalker appear almost 40 years older. Myself, I was not terribly enthusiastic at seeing anyone, even me 40 years on. They all definitely looked old, and somewhat out of place with the rest of the youthful characters. Anachronisms put in place for the next generation to gawk at and remark how they appeared pretty much rode hard & put away wet.

JJ Abrams famously said he wanted to use more actual sets for the film and less CGI, but that would be expensive out of proportion to budget so most of the film is CGI with some real (leftover) desert dunes scenes from Tunisia. The entire film was carefully constructed toward the inevitable sequel, including some cliffhangers. Many, many questions from the previous series remain un-answered with this film.

“Star Wars: The Force Awakens” is not a failure, certainly not at the box office, but it isn’t nearly the blinding film apocalypse it’s made out to be by some. It will make a lot of money from a new generation of viewers that applaud the “Real Housewives of…….”, but it is not “Avatar” or “Titanic” by any means. The plot is a clone of a previous plot; the dialogue is silly enough that in previous sagas all the actors complained bitterly about it. The new characters are not as fresh as what came before.

I found “Star Wars: The Force Awakens” just OK, even in 3-D. I remain unimpressed at the massive hype surrounding it.

I give it three of five hoarse Dick Cheney Darth Vader voicings.